After 16 years in the industry, Asha was back to second shooting. Her Instagram account had been hacked and every lead source had dried up. Within months, she was booking weddings at almost twice her old rate, including a $9,000+ wedding at the Four Seasons in Athens.
Interview by Peter Byram, Founder of The Icon Agency
Published Date: October 1, 2026

Interview by Peter Byram
Founder, The Icon Agency

Published:
October 1, 2026
Peter: I'm joined by Asha King of Love Asha Photography, and she has an awesome story. Asha, how did you get into the wedding industry?
Asha: I've been a wedding photographer for 16 years. I got married the first time at 21, and my mom hired the photographer from her own wedding in the '80s. The photos turned out exactly as you'd expect, very '80s. I'd always loved art, and I thought, "I could do a better job than this." So I bought a camera, and the rest is history.
Peter: What are some of the big changes you've seen in the industry over the last 10 years?
Asha: Everything went super stylized for a while, and I think COVID changed that. People got tired of the fakeness and wanted to reconnect. I just spoke at WPPI in Vegas and attended another conference, and the two words I heard over and over at both were "intention" and "authenticity." People want things to feel real, not performative. With AI, it's so easy to make everything perfect now, but people don't want perfect. They want real connection.
Asha: After I moved back to Florida from the D.C. area, I worked at GEICO for a bit. I absolutely hated it, and it pushed me back into doing what I was meant to do. I went full-time around 2015 as a single mom, but I was mostly second shooting and associate shooting rather than booking my own clients. By the end of 2019, I realized I'd gotten really good at photography, but the business side hadn't caught up. Everyone thinks that if you get really good at your craft, the work will find you, and I don't think it works that way for most of us. So I invested in a business workshop and started booking more of my own clients.
Peter: And 10 years ago, digital marketing wasn't nearly as big. It was mostly word of mouth and referrals, maybe SEO, but nothing like the paid ads we see now.
Asha: In 2022, I got married. We planned the whole wedding in six weeks because my mom had cancer, and I wasn't going to do it without her. I'd started learning the business side in 2019 and was gaining real traction and hitting six figures, but then I took about a year off to take care of my mom. After we lost her, it took me a long time to feel normal again. I knew I should be working on SEO and networking, but I couldn't bring myself to do it.
For about two and a half years, I wasn't on Instagram, I wasn't networking, so no referrals came in, and I wasn't blogging. Every avenue for leads dried up at the same time. I was back to second shooting and associate shooting, sometimes for people who'd been shooting for two years. Then, in August of last year, my Instagram got hacked, and I had to start over from zero followers. It came down to: Do I want this business to keep going, or are we letting it go?
My friend Heidi was working with you and said wonderful things, and so did my friends Sabrina and Ryan and Shannon. So I messaged you and asked, "Do ads work if you have zero followers?" You said, "Yeah, let's chat," and it's been wonderful ever since.
Peter: It surprises me how many people who've been in the wedding industry a long time and are really good still don't run ads.
Asha: A lot of us are artists, so we think if we just get really good, the work will find us. It doesn't work that way. No one knows you exist. As artists, we often think, "If I have to pay to get people to see my work, am I doing something wrong?" I think the opposite is true. You're doing yourself, your clients, and your work a disservice if you're not telling people about you. There are couples out there looking for exactly what I offer, and if I don't do my best to make sure they can find me, I'm doing them a disservice.
Peter: And if you don't put yourself out there, they'll probably end up with a huge wedding factory, because that's who's getting the ad space. In a way, you almost have an obligation to put yourself out there.
Asha: Something you said early on stuck with me: the first part of your day needs to be focused on bringing in work, like responding to leads and doing consultations. If you're not doing that, the rest is just a hobby. You're picking your website colors and spending hours on Pinterest, but none of that matters if you don't have clients coming in the door.
Asha: I love the coaching calls, three times a week. They really get into the weeds, like reviewing people's conversations to help them improve. One of the coaches, Joe, told me to trust the process, and I followed the scripts almost word for word. Leads were coming in, but it took me about a month and a half to two months to start booking. Then it was a domino effect.
I realized I needed to follow the scripts but also infuse my own personality and play up my strengths. For me, that's always emotion. Instead of focusing on logistics like date, venue, and budget, I ask, "What's your story?" I get paragraphs, almost novels, because people are so excited to share their story. I've even fine-tuned my own copywriting, because couples keep telling me the same things about what they see in my work.
Peter: You need a framework, or people are flying blind. But the real magic is bringing your own style and personality into the process, because that's where the authenticity is.
Asha: One bride and I chatted for a long time before she even had a location. We talked about Christmas traditions and recipes. Halfway through our consultation call, her fiancé walked in, and she said, "Hey, come meet our photographer," before we'd ever discussed pricing. It's one of my biggest bookings to date: about $9,000 for photo only, at the Four Seasons in Athens, Greece. They knew they were booking me before we even got to the consultation.
Peter: She felt so connected to you that you weren't a commodity. She wasn't paying for something she could get anywhere. She was paying for Asha.
Asha: A lot of it is the influx of leads. It's much easier not to discount yourself when you know more leads are coming every day.
A year and a half ago, I was sitting at breakfast with friends in England, literally crying with imposter syndrome. I'd been doing this so long, I trusted my skill, and I cared so deeply about my couples, but no one was knocking on the door. I had all these goals and no road map. Now I'm hitting those goals almost without trying.
My average booking last year was about $4,000 to $5,000. For next year, it's around $7,000 to $9,000, so almost double. I kept joking that I'd just double my prices and see what happened, and the joke became reality. In January, I booked $30,000 worth of work, and within two months, I'd booked $50,000. When I worked at GEICO, I made about $32,000 a year.
Peter: A year and a half ago, 16 years in, you were wondering whether to hang it up. Now you've done $50K in two months, and you know exactly what to do to book your dream clients.
Asha: It's been life-changing. It's a lot of work responding to all these leads, but this is the work we signed up for. I wanted to be busy booking dream clients, and here I am.
Asha: First, just do it. I have friends who say they'll do it once they catch up on editing or hit some milestone. Do it now, and the other pieces will fall into place. Second, be prepared to do the work. It takes work to chat with couples and find the ones who are right for you. Not everyone is the right fit, and that's fine. Third, show up and really care. Couples send me photos of the dresses they're trying on. I'm not asking about their story to trick them into hiring me. I genuinely care, and it shows.
Peter: First, you probably need more leads, because most people listening only get a handful a month. Then take your time getting to know people and building that connection.
Asha: People hire who they're comfortable with. They decide based on emotion and back it up with logic afterward. My consultations often run an hour and a half or two hours, and even when couples can't afford me, they thank me for taking the time to listen and get to know them instead of just sending a price list.
Peter: What would you say to someone who's where you were a year and a half ago, discouraged and lost, who was successful once but whose business is down now?
Asha: The problem is not you. You're good at what you do, and you love it. So many of us internalize this and think we're the problem. You just have to get better at marketing and business. It doesn't mean you're not talented or that nobody wants to work with you. It means no one's finding you, and that's the number one problem to solve. SEO and networking take time to develop. Ads aren't quite overnight, but they're about as close as you'll ever get.
booked in two months
booked in January alone
average wedding booking, nearly doubled
Instagram followers when she started
Asha King has photographed weddings for 16 years. She bought her first camera after her own wedding photos came back looking straight out of the '80s. She built her business in the D.C. area, moved back to Florida, went full time, and by 2019 had started learning the business side and passed six figures.
Then life intervened. In 2022, Asha planned her wedding in six weeks so her mom, who had cancer, could be there. She took about a year off to care for her mom, and after losing her, it took a long time to feel like herself again. Her Instagram, networking, referrals and blog all went quiet. She was back to second shooting for photographers with far less experience. In August 2024, her Instagram account was hacked, and she had to start over from zero followers.
We run the ads and teach you the booking process Asha used to book $50K in two months, starting with zero Instagram followers.
Several friends who were clients told her ads were working for them. Asha's first question to Peter was whether ads could work with zero followers. They could. By early 2025, she had booked $30,000 in January and about $50,000 in two months. Her average booking had gone from $4,000–$5,000 to $7,000–$9,000, including a photography package of more than $9,000 for a wedding at the Four Seasons in Athens.
Every lead source dried up at once
Crying at breakfast in England
$50K in two months
How Asha books couples
Why artists need marketing
Asha's advice for other photographers
Key Takeaways
Frequently Asked Questions
Asha took her business seriously. In 2019, she invested in a business retreat, began booking more of her own clients and reached six figures. Then her mom got sick.

"I took about a year off to take care of my mom when she was sick. After we lost her, it took me quite some time to get back to feeling normal again." — Asha King, Love Asha Photography
For two to two and a half years, Asha stopped posting, networking and blogging. Referrals stopped coming in. Then her Instagram account was hacked, and she lost access to everything.

"All of these avenues of potentially bringing in leads had completely dried up, all at the same time. It was a matter of: do I want this business to keep going, or are we going to let it go?" — Asha King
Several friends in the industry, including Heidi [link to Heidi Hoffman's story], were working with Peter and seeing results. While she was in Lake Tahoe for a shoot, Asha messaged him to ask whether ads could work with zero followers.
Before joining, Asha went on a few overseas styled shoots. They helped her build a portfolio for higher-end weddings and get back to enjoying her work. But at breakfast in England with a group of friends, it all came out.

"I'd been doing this for so long, and I don't have bookings. I know I'm really good, I care so deeply about what I do, but no one's knocking on the door. I was literally crying at breakfast." — Asha King
She had big goals and no idea how to reach them.

"It's wild to wake up a year and a half later and realize I'm hitting all those goals almost without trying anymore." — Asha King
Asha used the scripts word for word. Leads started coming in right away, but it took about six to eight weeks before couples began booking. After that, the bookings kept coming.
Here's what changed:
$30,000 booked in January
About $50,000 booked over two months, more than she used to make in a year at a corporate day job
Her average booking nearly doubled, from $4,000–$5,000 to $7,000–$9,000
A photography package of more than $9,000 for a wedding at the Four Seasons in Athens, Greece
Weddings booked for the following year as early as February

"I kept joking, 'I'm just going to double my prices and see what happens.' And then the joke kind of became reality." — Asha King
With new leads coming in every day, she no longer felt pressure to discount her work.
Following the scripts got her started. What made the difference, she says, was bringing her own personality into them.
Open with "What's your story?" With new leads, she skips the questions about date, venue and budget. She asks couples to tell their story, and many reply with long, detailed messages.
Lead with emotion. Telling stories is what she cares about most, so that's where she focuses. She asks what the couple is most excited about and what they're looking forward to.
Listen to how couples describe your work. Couples kept telling her the same things about her photos, and she kept repeating the same things back. Over time, that sharpened how she describes her own work.
Take your time. Her consultations can run an hour and a half to two hours. Even couples who can't afford her thank her for listening instead of just sending a price list.
Use the coaching calls. Calls with the team three times a week helped her improve her conversations with couples and her consultations.

"We'd talked about Christmas traditions and recipes. Halfway through the consultation, her fiancé walks in and she's like, 'Hey, come meet our photographer.' We'd never even discussed pricing. It's one of my biggest bookings to date." — Asha King
After 16 years in the industry, Asha was back to second shooting, her Instagram account had been hacked, and she was starting from zero. Within months, she had booked $50,000 and nearly doubled her average wedding. If your bookings have slowed down even though your work is strong, let's look at where your business is now and whether the program is the right fit.
Asha believes many photographers assume that if they get good enough at their craft, clients will find them.

"It's not how things work at all. No one knows you exist. It doesn't matter how good you are at what you do. You need people to know about you." — Asha King
She also sees it as a responsibility. If photographers who truly care about their couples don't put themselves out there, couples end up with whoever is advertising the most. She now starts every day with work that brings in revenue, like replying to leads and holding consultations. Website colors, logos and Pinterest boards come later.

"If you're not doing that, the rest of this is just a hobby. You're sitting in a rocking chair, rocking and going nowhere." — Asha King
Sign up now: "Don't wait until you catch up on editing. All the other pieces fall into place once you've actually done it."
Be prepared to do the work: Replying to all those leads takes effort. "But this is the work we signed up to do."
Really care: Ask about their story because you want to know it, not to persuade them. "It shows through the conversations."
Remember, it's not you: If bookings are slow, it doesn't mean your work isn't good enough. Usually it means couples aren't finding you.
You can start ads with zero Instagram followers and still book.
Use scripts to get started, then make them your own.
Asking "What's your story?" gets couples talking.
When couples feel connected to you, price becomes much less of a hurdle.
A steady flow of leads makes it easier to charge what your work is worth.
Yes. Asha's account was hacked and she started over from zero. She booked about $50,000 in two months.
Every business is different. Asha got leads right away, and couples started booking after about six to eight weeks.
Focus on connection. Asha's average booking went from $4,000–$5,000 to $7,000–$9,000 once she had a steady flow of leads and longer, more personal consultations.
Asha asks, "What's your story?" Couples love telling it, and their answers give her a lot to work with.
Asha did at first, then adapted them to her own strengths. For her, that meant leading with emotion and storytelling.
Yes. After two to two and a half years away, Asha rebuilt her business from zero followers to $50,000 in two months.

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