How Kaiel and Stephanie Jackson Got Wedding Clients Without Relying on Referrals, and Booked $27.5K in One Month

Kaiel had been doing wedding video full-time, mostly through vendor referrals. When Stephanie left her office job in June 2020 to shoot photo full-time, they needed a steadier way to find couples. In their first full month with ads running, they booked five weddings and about $27,500.

Interview by Peter Byram, Founder of The Icon Agency

Published Date: October 9, 2026

Interview by Peter Byram

Founder, The Icon Agency

Published:

October 9, 2026

Meet Kaiel and Stephanie (00:00)

Peter: We're with two members of the Next Level photography training program, Kaiel and Stephanie Jackson, and their son is with us too. I'm excited to dig into your story. Introduce yourselves and tell us about your business.

Kaiel: I'm Kaiel. We live in Southern California, and we run [Studio name]. It's a photo and video company. We've been doing this for a couple of years, and we rebranded back in July.

Stephanie: I started doing this full-time back in June. We're excited to talk.

Too Reliant on Vendor Referrals (01:17)

Peter: When you first came across me, what was the real challenge you were looking to solve?

Kaiel: Lead generation in general. We wanted to find something where we weren't so reliant on referrals from specific vendors. If they stopped working, for whatever reason, that would quickly diminish how many couples we'd be in contact with. We also wanted the potential to scale. If we got busy enough to hire an editor for the photos and films, we could dedicate more time to finding couples and shooting weddings. And if we were finding more couples, we could charge more, so we didn't have to shoot as much, and save money to buy a house. It's expensive down here, and we know what we like, so we don't want to settle.

Leaving an Office Job to Shoot Full-Time (02:44)

Peter: Stephanie, you've been doing photo for a while, but you had a full-time job until June, right? What were you doing?

Stephanie: Admin work. I'd been doing it since I graduated from college five years ago, office administration and executive assistance. It was a little soul-sucking for me, the same thing day in and day out. It was exhausting, and I had a toddler on top of it. With COVID going on, I came to a crossroads. I was working at a CPA firm at the time, and we were trying to move back to Orange County. We were living in a little city farther away, and I'd been looking for work for about three months with recruiters and had no leads. Then Kaiel said, "Why don't you do photo full-time?" He'd been doing video full-time for about a year and a half. Something just clicked, and I said okay. And here we are.

Peter: What was it that really made you decide to go all in?

Stephanie: Realizing how much of my son's life I was missing. I missed his first steps, and the day-to-day silly interactions we have with him. I saw Kaiel having those with him, and here I was working a job where you literally cannot work remote. As an executive assistant, you have to be with your executive. You can never work from home, and taking time off isn't really a thing. You get maybe two weeks a year. You're a slave to the nine-to-five. So the biggest thing was time and schedule: the flexibility to say no if I don't want to work a certain day, or to travel, find a gig somewhere around the world and make a vacation out of it.

Going All In During COVID (06:01)

Peter: When you go full-time, there's uncertainty. Kaiel was saying the big challenge was knowing you could consistently get leads coming in and book more consistently.

Stephanie: Yes. And there was a huge fear at the very beginning, because of COVID. I went full-time in June, and a couple of weeks later we launched our new website. It was a super unknown time. We weren't sure whether we'd be working, or whether people would even be allowed to get married. There were so many question marks.

Kaiel: Having a kid, we had priorities, like whether we'd start daycare. But I don't think there was a huge risk, just a whole lot of unknown. For Stephanie, it was going from a full-time position where she knew how much she'd get on every paycheck to something much more unpredictable. So it was more of a mental and emotional adjustment. We were confident that as a photo and video team in Southern California, we wouldn't have trouble finding work, even if we had to lower our prices for a few gigs. I'd been doing video for a while. If I can do video, I knew she could do photo. As a husband and wife doing both, I knew we could be successful. It was just a question of how quickly and how much.

Finding Peter Through the Ads (09:07)

Peter: This is a big thing for a lot of people listening. A lot of people have a part-time photography business, want to go full-time and really struggle to make that transition. So it's inspiring to hear how you did it and what you did to make it work, because you put up some big numbers in October. But first, how did you come across me?

Stephanie: It was through your ads. I saw them maybe three times before I actually read the description, like, "All right, who's this other photographer who brought in $200,000 in her first year with Peter?" Then you had two testimonials on two different ads. Seeing results from more than one person mattered. I didn't want to invest in someone who's just starting out and doesn't have a track record. Seeing your track record, I said, "We should do this."

Done Fighting Over $500 Budgets (10:58)

Peter: We had a call and talked about what you were looking to do. What ultimately made you go for it?

Stephanie: A few things you said in your intro spoke to us, like fighting for scraps in random Facebook groups. Someone posts, "I need photo and video for this day in this place," and 50 or 100 photographers jump on the thread: "I'd love to be considered, here's my portfolio." And the price is really low, like $800, when we charge about four times that, so we wouldn't even comment. People were fighting over a $500 photo and video budget. It was a wake-up call. We needed to do something about lead generation, especially for the photo side, because I was starting out full-time and didn't have Kaiel's connections, the planners and past couples who refer their engaged friends. I didn't want to fight other photographers for really low-budget gigs. I knew my worth as a photographer, and our worth as a photo and video team.

Kaiel: The other thing was knowing that ads are constantly working for you. You can adjust how little or how much you want to spend, and it's trial and error, but the ads are working every moment of every day. That frees up a lot of time. I was totally fine spending money on ads, knowing that something is always looking for leads for us to potentially shoot. Ads weren't new to me, but how to run them effectively for wedding photography and videography was. On the video side, I get a lot of my work from referrals, because couples usually book video after photo, or two months before the wedding the parents say, "Here's a few grand, get yourself a videographer." Photo is definitely the priority. So if we get in front of couples sooner, we have the chance to book photo and video together, or at least photo. That easily makes it worth the investment.

Peter: I remember we talked about that. Most of the video work comes from referrals, but with Stephanie going full-time, you wanted her calendar full too, so you could grow your family business and do this together. Referrals are great when they're there, but they're not a lever you can pull in your business. Ads are like a workhorse in the background, pulling people to you.

From Fear of Video Calls to 70 Calls in a Month (15:26)

Peter: So you joined Next Level. What happened after that?

Kaiel: A lot of work. Studying, rewatching and implementing the steps in your tutorials, setting things up and understanding why they're set up a certain way. Stephanie isn't the tech one, so I built the landing page and set up Facebook. Then I'd explain everything I learned to Stephanie in a way she'd understand. We got started pretty quickly and made minor adjustments to the ads. I think we were done with everything around mid-September, but I thought it would be better to start fresh at the beginning of the month so we could clearly see what the numbers looked like.

Peter: For people listening, the big challenge you were solving was getting more inquiries, so you could book more clients for both photo and video. In Next Level, we use Facebook and Instagram ads to generate leads, but there's a good amount of work to set it up. Had you run Facebook ads before?

Kaiel: Yes and no. Just the very basic ones, where Instagram says you should promote a post, you pick how much to spend per day and let it run. We didn't understand how much more granular you can get with targeting. So we did it, but it wasn't effective at all. It was just throwing money away and hoping something sticks.

Peter: That's very often the missing piece. It's not enough to just run ads. You need the whole funnel and sales process woven into it. So you built all that out and launched in October.

$27.5K and Five Weddings in October (20:05)

Peter: Let's get into your October results. How much did you do in total sales?

Stephanie: $27,000.

Kaiel: $27,500.

Peter: That's amazing. And you booked five weddings. One of them was a destination wedding in Iceland, just video. How did you get these clients?

Kaiel: Of the five, two were referrals from planners. Two were from Facebook ads, and the other one was through Facebook, but organically, which is another thing we learned in Next Level.

Peter: $27K for a husband and wife team. You're well on your way to that $200K goal. Now it's a matter of repeating it and building on that momentum.

Six Months of Salary in One Month (21:53)

Peter: What's your biggest takeaway from the last 30 days?

Stephanie: I did a little math. To have made $27,000 at my job, working 40 hours a week, not including commute time, I would have had to work about six months. Going to the office, buried in Excel all day, dealing with upset customers, upset bosses and work drama. And in one month I made that amount with a fraction of the headache. It was eye-opening. Why didn't I do this sooner? We're one month into Next Level, and if we can keep this going, we'll hit our financial goals within a year or two.

Kaiel: When you invest in something to make more money, at first it feels like something's caught in your throat, because you have to spend money to make money. So it's always a worry. But my biggest takeaway was patience. You want to look at the numbers every day, and you want to keep putting in time to make things better, but you can't rush the ads or expect them to make you a million dollars when you only spend 100 bucks. It doesn't work like that. You still have to put in a lot of work. If you stay consistent with it and keep feeding it, it'll keep performing.

Peter: That's a great insight. We all want the secret thing that makes it easy, but it doesn't work like that. If you do the work and stay consistent, you can have tremendous success, but it's not easy. If it were, everyone would quit their job and go all in.

Six Leads in About 12 Hours (27:09)

Stephanie: Between you and the group, any question we've had has been answered and walked through. Even though it's difficult, there hasn't been a moment where we've been stuck. I'm not tech savvy, and I've had to ask for help, but we've had a lot of support. That helps a lot for someone like me.

Peter: So the community has been valuable.

Stephanie: If you post a question, you get an answer within minutes, usually.

Kaiel: And it's encouraging to see how other people are doing. There are highs and lows with performance. You'll have a week, or even two or three, where you're not seeing many results, and then the next week you get a bunch of leads and you didn't really change anything. We had six leads in about a 12-hour time frame, and we didn't change anything. The two weeks before that were slower. Of those six, we booked two. The two Facebook ad bookings this month were both from that one day.

From Sending Prices to Building Rapport (28:27)

Kaiel: Also, learning how to actually run consultation calls helped us sell. We got the $27,000, but without what we learned in Next Level, it probably would have been two bookings instead of five, and maybe $8,000 in total sales instead of $27,000.

Peter: Let's drill down on that. What made the difference on the sales side?

Kaiel: How couples got to us, and how we communicate with them in the consultation. Before Next Level, we probably would have just said, "Hey, what's up? We do photo and video. Here's our portfolio, and here's our prices. Let us know if you're interested, and we'll send over our contract." That was about it. Now we ask the right questions at the right time, find out more about the couple and build more rapport. We bring emotion into the conversation, so it's not transactional, and we show how excited we are for them as they find their vendors and their videographer.

Peter: The sales process is one of the least talked-about things in our industry. There's a lot of talk about getting inquiries and the work itself, but that's where the money changes hands. When people make a couple of changes there, we always see them book more. It's about turning leads into clients.

What's Next, and Their Advice (32:01)

Peter: What's next for you?

Kaiel: Spending more time honing the ads and investing more money into them, because they're proving successful. With a 12-to-1 ratio, basically, of input and output, there's no reason we wouldn't keep using what we've learned to find more couples. And it lets us be picky. We can target specific couples, in our ad copy or on the consultation call. If it's something we're not excited about, we can point them to another photographer or videographer who would be great for them. We're not in a position where we have to take anything that comes our way, which is really nice.

Peter: That's huge, and it makes you book more, because couples can tell you don't need them. That comes from a full pipeline. And there's a mindset shift: when your business is mostly referrals and you're investing real money in ads, there are ebbs and flows, and you wonder if it's working. But you spent about $1,000 and made about $12,000. Once you have a 12-to-1 return, you want to keep feeding the machine and see if you can spend $2,000 a month.

Kaiel: Hopefully we can keep figuring out how to target more specifically and what copy performs best. Maybe we don't need to spend more if we learn to target better.

Peter: Facebook is always changing, but if you know how to write copy and understand how funnels work, you can always adapt. Say someone listening is a photographer or videographer doing $30,000 or $40,000 a year and wants to scale. What would you say to them if they're on the fence about joining Next Level?

Stephanie: It's not going to be as hard as you think. If you have questions, there's a whole group of people who want to help. We celebrate each other's successes, and there's a huge support system. It's not as scary and alone and unknown as we think it is. Even if it was just me, there's everyone in the group, and whenever we message you, you get back to us within about an hour. A lot of it was just following the program, following the script and doing it step by step, and that's how we got here.

Peter: If I'd told you back in September that the next month you'd make $27K, would you have believed me?

Stephanie: Probably not. You didn't give us a number. You asked what our goal was, and you said, "That's easy. We're going to make that happen." I had no doubt it would be more successful than what we'd been doing, but I didn't know how much more. I just wanted to make the money back.

Kaiel: People are starting to come out of the woodwork again and not be so afraid to make plans. And we do mid-size to larger weddings, so that helps.

Peter: Last question. What's your number one piece of advice for other members of Next Level?

Stephanie: I like that there's no competition within the group. We celebrate each other's successes. When you see somebody having a huge year, don't get jealous, and don't become bitter. Let it inspire you.

Peter: That's great advice. People who win in life don't look at someone else's success and get resentful or tell themselves a story about why they can't. If you look at it and say, "That person's doing it, I can do it," it feeds you.

Kaiel: I'd say stay consistent and keep at it, even when finding the time is hard. Keep figuring out how to adjust your ads or the angle you're pushing. If you keep trying different things, you'll have a higher success rate. If you stay where you're at and don't try new things, it's going to get stagnant, and it'll be harder to find more leads. So keep trying new things, and be willing to keep reinvesting in yourself and your business.

$27.5K

booked in October

5

weddings booked in one month

6

leads in about 12 hours, and 2 of them booked

6

months how long Stephanie's old job would have taken to earn the same

Kaiel and Stephanie Jackson are a husband and wife wedding photo and video team in Southern California. Kaiel had been doing video full-time for about a year and a half, and most of his work came from vendor referrals. That worked, but it wasn't something they could control. If a planner stopped sending couples, their bookings would drop right along with it.

In June 2020, Stephanie left her job as an executive assistant at a CPA firm to do photography full-time. Now the business had to support both of them, and the photo side didn't have the planner connections Kaiel's video side did.

Tired of waiting on referrals?

We run the ads and teach you the sales process Kaiel and Stephanie used to book five weddings and $27,500 in one month.

They joined The Icon Agency's program, then called Next Level, in September 2020. Kaiel built their landing page and ads, and they waited until October 1 to launch so they could track clean numbers. That month, they booked five weddings and about $27,500, including a destination wedding in Iceland.

In this story

  • Too reliant on vendor referrals

  • Leaving an office job to shoot full-time

  • Building the landing page and ads

  • $27.5K and five weddings in October

  • From sending prices to building rapport

  • Kaiel and Stephanie's advice for other photographers

  • Key Takeaways

  • Frequently Asked Questions

Too reliant on vendor referrals

Kaiel's video work came mostly through referrals, because couples usually book video after photo, or not until the last minute.

"We wanted to find something where we weren't so reliant on referrals from specific vendors. If they stopped working, for whatever reason, that would quickly diminish how many couples we'd be in contact with." — Kaiel Jackson, Shore & Wave

Facebook groups weren't the answer either. A couple would post asking for photo and video, and 50 to 100 photographers would jump into the thread.

"People were just fighting over a $500 photo and video budget. I knew my worth as a photographer, and our worth as a photo and video team." — Stephanie Jackson

They had tried boosting posts on Instagram before, but without targeting it felt like throwing money away.

Leaving an office job to shoot full-time

Stephanie had worked in office administration and as an executive assistant since graduating from college, about five years. She couldn't work remotely, and time off was limited to a couple of weeks a year. With a toddler at home, she was missing too much.

"I was missing his first steps, and the day-to-day silly interactions. I saw Kaiel having those with him, and here I was working a job where you literally cannot work remote." — Stephanie Jackson

They were also trying to move back to Orange County, and three months of job hunting with recruiters hadn't turned up anything. Kaiel suggested she do photography full-time. Going all in during COVID was scary, but Kaiel was confident.

"If I can do video, I know that she can do photo. As a husband and wife doing both, I knew we could be successful. It was just a question of how quickly and how much." — Kaiel Jackson

Building the landing page and ads

Kaiel found Peter after seeing ads with testimonials from more than one client. Seeing results from multiple people is what convinced him.

"By the end of the call, I want them to feel that I'm a good choice for them, not that I told them that I am." — Chelsea Black

Kaiel is the tech side of the team. He built the landing page and set up the Facebook ads, then explained everything to Stephanie. They finished setup around mid-September but waited to launch.

"I thought it would be better to start fresh at the beginning of the month so we could clearly see what the numbers looked like." — Kaiel Jackson

When Stephanie got stuck, she asked in the program's community group.

"If you post a question, you get an answer within minutes, usually. So even though I'm not tech savvy, we haven't had a moment where we've been stuck." — Stephanie Jackson

$27.5K and five weddings in October

In October, Kaiel and Stephanie booked five weddings for about $27,500 in total sales. One was a video-only destination wedding in Iceland. Two came from planner referrals, two from Facebook ads and one from organic Facebook outreach.

The two ad bookings both came from a single day, when six leads came in over about 12 hours. The two weeks before that had been slower, and they hadn't changed anything.

"Of those six, we booked two. There are highs and lows. You'll have a couple of weeks where you're not seeing a bunch of results, and then you get a bunch of leads, and you didn't really change anything." — Kaiel Jackson

Kaiel says they spent about $1,000 on ads, which brought in about $12,000 in bookings.

"There's no reason we wouldn't keep investing in the ads. They're proving successful, with a 12-to-1 ratio, basically, of input and output." — Kaiel Jackson

Ready to book couples who value your work?

For nearly 10 years, Chelsea's business made very little, and Utah couples kept asking for $300 wedding packages. Six months after joining, she had booked $100,000 in weddings across the country and was getting ready to shoot her first wedding in Mexico. If you're stuck booking low-budget weddings, let's look at where your business is now and whether the program is the right fit.

From sending prices to building rapport

Kaiel believes the leads were only part of it. Without what they learned about consultations, he estimates October would have been about two bookings and $8,000.

Before the program, their sales process was a single message.

"We probably would have just said, 'Hey, what's up? We do photo and video. Here's our portfolio, and here's our prices. Let us know if you're interested.'" — Kaiel Jackson

Now they ask questions, time them carefully, learn about the couple and build rapport. Stephanie did the math on what that month meant.

"In order to have made $27,000 at my job, working 40 hours a week, not including commute time, I would have had to work for about six months. In one month, I made that with a fraction of the headache." — Stephanie Jackson

A steady flow of leads also lets them be picky. If a couple isn't a fit, they refer them to another photographer or videographer.

Kaiel and Stephanie's advice for other photographers and videographers

Be patient with your ads: "Don't expect ads to make you a million dollars when you only spend 100 bucks. If you stay consistent with it and keep feeding it, it'll keep performing."

Use the community: "It's not as scary and alone and unknown as we think it is. A lot of it was just following the program and doing it step by step."

Let other people's success inspire you: When you see someone in the group having a big year, don't get jealous or bitter. Let it push you.

Keep testing: "Keep trying new things and be willing to keep reinvesting in yourself and your business. If you stay where you're at, it's going to get stagnant."

Key Takeaways

  • Vendor referrals are great, but you can't turn them up when you need more couples.

  • Facebook groups full of low budgets aren't a reliable source of good clients.

  • Starting ads at the beginning of a month makes the results easier to track.

  • Lead flow comes in waves, so judge ads over weeks, not days.

  • A consultation that builds rapport can turn the same leads into more bookings.

  • A full pipeline lets you turn down couples who aren't a fit.

Frequently Asked Questions:

How do I get wedding clients without relying on referrals?

Kaiel and Stephanie added Facebook ads and a landing page alongside their planner referrals. In October, two of their five bookings came from ads, two from referrals and one from organic Facebook.

Can a husband and wife team book photo and video together?

Yes. Kaiel and Stephanie run their business as a husband and wife photo and video team. Reaching couples while they're booking photo gives them the chance to book video at the same time.

Is it risky to leave my job to do wedding photography full-time?

Stephanie left her office job in June 2020, during COVID. She says the hardest part was the mental and emotional adjustment from a steady paycheck. Four months later, they booked $27,500 in one month.

How long do Facebook ads take to work for wedding photographers?

Kaiel says patience is key. They had two slower weeks, then six leads in about 12 hours, without changing anything.

What should I say on a wedding consultation call?

Instead of sending a portfolio and prices, Kaiel and Stephanie ask questions, learn about the couple and build rapport, so the conversation doesn't feel transactional.

Do I need to be good with tech to run ads?

Stephanie says she isn't tech savvy. Kaiel built the ads and landing page, and any questions they had were answered in the community group, usually within minutes.

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