Josh had spent 10 years building a wedding film business, and for the last two his bookings had been falling. He didn't want to run ads. Then two months of ads brought in nothing. Here's how he stuck with it, found what worked, and grew by almost $100,000 in a year.
Interview by Peter Byram, Founder of The Icon Agency
Published Date: October 1, 2026

Interview by Peter Byram
Founder, The Icon Agency

Published:
October 1, 2026
Peter: I'm joined by Josh Watson of Watson Wedding Videography, an amazingly talented filmmaker who's been in the game a long time. Tell us a little about yourself.
Josh: I've been doing weddings for 10 years. I started with a little tax return, and it took off. Now I have a wife and two kids, and the business funds our family trips and memories. When bookings started slowing down last year, I thought, "No, I don't want to slow down yet." So I reached out to you, and you said, "Cool, we'll run ads." I blew you off at first. A few months later, Todd, who I'd worked with before in the industry, told me, "You should talk to Peter. I'm working with him, and it's great." So I reached back out.
Josh: I hate ads. When a commercial comes on TV, I mute it or walk away. If I see "sponsored" on Instagram or TikTok, it doesn't get the time of day. I didn't want to be the guy annoying people with ads. But now I see it in a totally different light. If someone is running ads, they care about their business enough to put it in front of you. If an ad annoys me, it's just because I'm not interested right now. If I'm interested, I click. It literally rewired my brain.
Josh: About a month before our first conversation, a buddy who owns a business told me, "You've been doing this 10 years. Put yourself on a salary and do a monthly budget." So I called my CPA and restructured the entire business. Two months later, when I talked to you, my wife asked if there was money in there, and the money I needed was right there. The timing lined up perfectly, so I said, "Let's take a step of faith. The worst that happens is I lose this money."
Josh: Bookings went up consistently for eight or nine years, then plateaued, and then started going down. I blamed it on COVID, but when they went down again, I realized it was a trend. I have great relationships with planners and venues and I'm on a ton of preferred vendor lists. But if I weren't running ads, I'd have six weddings next year. My quality has stayed the same, if not gotten better, so I honestly don't know what it is.
Peter: I'm talking to super-established people all the time with the same problem. Part of me wonders if the industry has come online in a big way, and the people who aren't adapting are getting left behind.
Josh: To be completely honest, the first two months, I got nothing. I was calling you, frustrated. You kept saying, "Trust the process." Then on a call with one of your team members, I was told, "Stop chasing them." I was desperate because money was going out the window on ads, so I'd jump on every lead immediately and keep messaging them. It was like dating in high school. You can't be desperate. So I started letting leads sit for a bit before texting them. Because we were running a giveaway, that waiting period got them anticipating, and when I reached out, they were ready to go.
We also added a step: "Hey, I got your inquiry. Fill out this form to be entered as a finalist." I'd been getting ghosted a ton, and once we added that, I knew anyone who filled out the form was super interested. No more ghosting.
The two-call system didn't work for me either. I'd do the first call and couldn't close the second, maybe because I'm not a salesman. So we changed it: if they fill out the form, get them on a Zoom within 72 hours. That was magic.
Looking back, those two dead months were a blessing. I watched every module, downloaded every script, and built my view book, so when the leads came, I was ready. Before this, I'd just email my prices and packages and say, "Do you want it or not?"
Peter: Every business, market, and time of year is different. Business is messy. There's no magic wand, just a proven process, executing it, and working out the kinks. To your credit, you kept showing up.
Josh: Your team tested about 15 campaigns until one clicked. I still use that same ad. When Facebook says there's ad fatigue, I just make a new 15-second reel, swap out the creative, and it starts popping out leads again.
Josh: Once leads started coming in, I started booking. Almost every third or fourth call was a booking. The year before we started, revenue was about $74,000. This year, we did $171,000. Even my best year before this topped out around $120,000. I spent $8,300 on ads and made $83,200 in revenue from them, so that's a 10x return. And I was able to give my second shooter more weddings as a lead shooter while still being home and present with my family.
Peter: People come to us saying they need more clients, but what they really want is predictability.
Josh: My salary is covered for next year. The truck I bought through the business is covered. My shooters and editors are covered. I have no worries.
Josh: My lead shooter met someone and was going to move to Texas to be with her. He asked if we could expand into Texas. So I duplicated the ad you created, put my original creative on it since Texas hadn't seen it yet, and ran it in Austin and San Antonio. Two or three weeks of crickets, but I wasn't worried. Then leads started rolling in, and I booked three or four weddings out there in the first month and a half. Then they broke up. So now I have four weddings in Texas, and we're going to fly out together to shoot them. It was a really good feeling to know we could pivot that fast.
Peter: People move. If you don't have a strategy for getting clients, it's a rude awakening, because nobody knows you in the new market. Being able to book weddings in a new state within a month is incredible.
Josh: I also wanted to shoot an elopement when we first talked, and you said what I really needed was stability. We got both. My wife and I just filmed an elopement in Montana and Wyoming for a client from Georgia.
Peter: What would you say to someone who's been in business a while, has never advertised, and doesn't want to run ads?
Josh: Take the leap. It's an investment, but it's incredibly worth it. I had every objection. First, "I've never needed to run ads." It was almost a pride thing. Second, "I don't want to be that guy." Third, "It'll cheapen my brand." When the ads offered a discount, I told you, "Peter, I'm not a discount company." You said, "Then why would people click your ad?" I trusted you, and it didn't make me a discount brand at all. My prices actually went up.
I see other companies booking a ton of weddings because they're killing it at marketing. You don't have to be the best videographer or have the best gear. If you market and engage your audience, you'll book. My quality was better, but nobody knew it, so it didn't matter.
Peter: Most people don't have a photography, videography, or logo problem. Nobody knows they exist. If you get more eyes on your work and you're good at what you do, it's inevitable that you'll book more.
Josh: Doing calls scared me away at first. I just wanted to send my prices and let couples decide. But the modules really helped, and I picked what worked for me. On a call last week, a guy told me, "You're probably the worst salesman I've ever seen. I can't tell if you're the worst or the best." He started with a really low budget, and by the end he said, "No, we have the money. We want you." I just ask about their day, let them talk, and show them what we can do. If you're not a salesman, don't let that hold you back.
Peter: Referrals already know your price range and like your work, so you don't really have to sell them. But strangers from the internet are comparing options. You don't have to be the greatest salesperson who ever lived, but you need some skill set.
Josh: The most transformative thing was getting on calls and getting in front of couples. Making the connection is what books it, and you can't make it without a call, and you can't get the call without the lead. Every piece of the process matters. If you join, go all the way. Don't cherry-pick parts of it.
Josh: You told me something hard to swallow: I'm the bottleneck. I have a six-year-old and an eight-year-old, and I never want to be at a wedding while my son is on the ball field or my daughter is cheering. I could have made $250,000 to $300,000 this year, but I said no a lot. My business is built on quality, so I'd rather train new shooters slowly than scale too fast and let quality slip. For now, the goal is to keep it about where it is, maybe a little more, and keep running the ads.
Peter: It's a crazy place to be when growth is just a choice. I have two little kids too, and a lot of people don't talk about this. So I'm glad you are.
Josh: It's the opposite of the problem I had when I called you last year. Now I have too many people.
Josh: If you're thinking about it, take the leap. It's the greatest money I've ever spent. My business was trending down, and this was one of the best decisions I've made.
Also, hype up others in your industry. Once you start running ads, you see how many weddings there are. I get five or six leads a day and do about five calls a week, often at 9 p.m. after my kids go to bed. Other videographers aren't competition anymore, because there's plenty to go around. Now I look at their work, appreciate it, and borrow ideas, and it's made me a better filmmaker.
Peter: It puts things in perspective when you realize there's enough for thousands of videographers to all be doing multiple six figures.
in revenue this year, up from $74K the year before
return on ad spend: $8,300 in ads brought in $83,200
consultation calls turned into a booking
weddings he'd have booked for next year without ads. He's now close to capacity.
Josh Watson runs Watson Wedding Videography. He started the business with a tax refund, and over 10 years it grew into what pays for his family's trips and memories. He has a wife, two young kids and a full-time job with a pension. For eight years, his bookings went up every year. His best year brought in about $120,000. Then bookings leveled off, then fell for two straight years, even with strong relationships with planners and venues. The year before he joined The Icon Agency, he brought in about $74,000.
We run the ads and teach you the booking process Josh used to grow from $74K to $171K in a year.
e had never run an ad, and he didn't want to. When he finally did, the first two months brought in no leads at all. Josh stayed with it. The team kept testing new ads until one took off, and he changed how he followed up with couples. This year, he brought in $171,000. Of that, $83,200 came directly from $8,300 in ad spend. He also booked weddings in Texas within six weeks, and next year is nearly full.
In this interview, Josh talks honestly about the slow start, what finally made it work, and why he's choosing time with his kids over even more bookings.
Ten years up, then down
"I hate ads"
Two months of nothing, then everything clicked
How Josh books couples now
Choosing family
Josh's advice for other photographers
Key Takeaways
Frequently Asked Questions
Josh's business grew steadily for eight years. In the ninth year, it plateaued. In the tenth, bookings dropped. At first he blamed COVID. When they dropped again, he saw a pattern.

"I saw the trend going up, I rode it, it was great. And I see a trend going down. Something has to change." — Josh Watson, Watson Wedding Videography
He hadn't changed anything about his work. If anything, his quality had improved. He had good relationships with planners and venues and was on preferred vendor lists. Even now, he says, those channels alone would give him only about six weddings next year.
Around the same time, a friend who also owns a business told him that after 10 years, he should pay himself a salary and work from a monthly budget. Josh restructured his business with his CPA the next day. That gave him the cash to invest when the right opportunity came along.
The first time Josh talked with Peter, he turned the idea down.

"I hate commercials. If I'm scrolling and see anything that says 'sponsored,' not a chance. I didn't want to be that guy who annoyed people with ads." — Josh Watson
A few months later, Todd, a filmmaker Josh had worked with and an Icon Agency client, told him he should talk to Peter again. Josh had three worries: that he didn't need ads, that he'd annoy people, and that a promotional offer would make his brand look cheap. None of them came true. He didn't become a discount brand, and his prices actually went up.

"Now I respect ads, because if somebody's running ads, they care about their business enough to put it in front of you." — Josh Watson
Josh is open about the fact that his first two months produced no leads at all.

"I was frustrated. Not at you, but I was frustrated. I've dumped this much money into ads, and you just kept saying, 'Trust the process.'" — Josh Watson
Behind the scenes, the team tested about 15 different campaigns, adjusting the creative and the copy. One night, a team member worked with him on a call at 1 a.m. so new ads would be live by 7 the next morning. Eventually, one ad took off. Josh still uses it today. When Facebook flags ad fatigue, he swaps in a new 15-second reel and it starts bringing in leads again.
Looking back, he calls those two months a blessing. They gave him time to watch every training module, write his scripts, and build his view book, so he was ready when the leads came.

"I think those two months of having no leads was a blessing, because it allowed me to do every single thing. Then they came in, and I was ready." — Josh Watson
Before working with The Icon Agency, Josh never got on calls with couples. He emailed his prices and packages and waited for a reply. Here's what he does now:
Stop chasing leads. He used to message every new lead right away, again and again. A coach told him to stop acting desperate. Now he waits a bit before replying.
Add a second step to weed out ghosts. After someone enters his giveaway, he texts them a short form to fill out to become a finalist. Couples who complete it are serious, and that cut down on ghosting.
Go straight to a Zoom call. A two-call process didn't feel right to him, so now he books a single Zoom call within 72 hours of the form.
Let couples talk, then show your work. He asks about their wedding day, lets them do most of the talking, and then shows them his films.
Make time for calls around family. Josh works a full-time job, so he takes about five calls a week after his kids are in bed, often at 9 p.m.

"I'm not a salesman. I'm terrible. I get them on Zoom and I just show them what we have." — Josh Watson
One groom told Josh he was either the worst salesman he'd ever met or the best one. The couple had started with a low budget. By the end of the call, they were insisting they could afford him, and they booked.
After two years of falling bookings, Josh brought in $74,000. A year later, he brought in $171,000, booked weddings in a new state, and filled next year's calendar, all while working a full-time job and making it to his kids' games. If your bookings are slipping even though your work is strong, let's look at where your business is now and whether the program is the right fit.
Once the leads started coming in, Josh booked about one of every three or four consultations. Here's how the year turned out:
$171,000 in revenue, up from $74,000 the year before and above his previous best of about $120,000
$8,300 in ad spend brought in $83,200 in bookings
His second shooter became a lead shooter with more weddings
Next year is close to his capacity of 35 to 40 weddings
His salary, truck payment, shooters and editors for next year are already covered
He booked an elopement in Montana and Wyoming for a couple from his home state
When his lead shooter planned to move to Texas, Josh copied his best ad and ran it around Austin and San Antonio.
After about three weeks with no results, leads started coming in, and he booked three or four Texas weddings in about six weeks. His shooter ended up staying, so the two of them will fly out to film those weddings together.

"It was a really good feeling to know we can pivot. Oh, you're moving to Texas? We need bookings in Texas. I know what to do." — Josh Watson
Josh estimates he could have made $250,000 to $300,000 this year. He turned down weddings on purpose. His kids are six and eight, and he doesn't want to miss their games.

"I'll never get these years back. I don't ever want to be at a wedding while my son's on a ball field." — Josh Watson
If you've never run ads: "Take the leap, take the step of faith. It's worth it." He calls it the best money he's ever spent.
Once you start: Go all in. Watch every module, download every script, build your view book. "You can't just do part of it."
If you're not a salesperson: You don't have to be. Ask couples about their day, listen, and show them your work.
Treat other filmmakers as peers, not competition: Once ads bring in five or six leads a day, you see there's plenty of work for everyone. Josh now cheers on other filmmakers and borrows ideas from their work.
Strong relationships with planners and venues may not be enough to keep a business growing anymore.
Ads don't cheapen your brand. Josh raised his prices while running them.
A slow start isn't failure. Josh used his to get ready, and that preparation paid off.
Don't chase leads. Adding a step that shows who's serious cut down on ghosting.
When you have a proven ad, you can start booking in a new market within weeks.
They did for Josh. He spent $8,300 on ads and brought in $83,200, a 10x return. His total revenue went from $74,000 to $171,000.
It depends. Josh's first two months produced no leads while the team tested about 15 campaigns. Once one ad worked, bookings came steadily.
Josh worried about that because his ads included a promotional offer. It didn't happen. His prices went up.
Josh stopped messaging leads right away and added a short form for couples to fill out. Couples who complete it are serious.
Yes. Josh ran his best ad around Austin and San Antonio and booked three or four Texas weddings in about six weeks.
No. Josh calls himself a terrible salesman. He asks about the couple's day and shows them his films.

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